Being Part of the European Film Industry
It is one of the strangest assignments in recent years, and actually I am not even allowed to talk about it (lol) – although it is about taxpayers‘ money, which is distributed through the European Media Fund to pre-productions in the Eastern European film market. And because there are hundreds of applications for the quick money, one has to choose — and so I was one of those who evaluated, discussed, and weighted proposals, written in endless text, often AI-text. Strictly confidential of course, no idea why. It is a peculiarly complicated, basically standardized but still very imprecise procedure driven by the EU, with millions of euros in the funding pot. And with many hardly comprehensible rules, weightings and preferences, and cumbersome processes. Very strange, a lot of work for almost nothing, but also very interesting to see how European money is spent. Let’s see which films will ever make it to the cinemas.